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Oil Paintings Come From United Kingdom
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William Hogarth
British 1697-1764 William Hogarth Galleries Early satirical works included an Emblematical Print on the South Sea Scheme (c.1721), about the disastrous stock market crash of 1720 known as the South Sea Bubble, in which many English people lost a great deal of money. In the bottom left corner, he shows Protestant, Catholic, and Jewish figures gambling, while in the middle there is a huge machine, like a merry-go-round, which people are boarding. At the top is a goat, written below which is "Who'l Ride" and this shows the stupidity of people in following the crowd in buying stock in The South Sea Company, which spent more time issuing stock than anything else. The people are scattered around the picture with a real sense of disorder, which represented the confusion. The progress of the well dressed people towards the ride in the middle shows how foolish some people could be, which is not entirely their own fault. Other early works include The Lottery (1724); The Mystery of Masonry brought to Light by the Gormogons (1724); A Just View of the British Stage (1724); some book illustrations; and the small print, Masquerades and Operas (1724). The latter is a satire on contemporary follies, such as the masquerades of the Swiss impresario John James Heidegger, the popular Italian opera singers, John Rich's pantomimes at Lincoln's Inn Fields, and the exaggerated popularity of Lord Burlington's prot??g??, the architect and painter William Kent. He continued that theme in 1727, with the Large Masquerade Ticket. In 1726 Hogarth prepared twelve large engravings for Samuel Butler's Hudibras. These he himself valued highly, and are among his best book illustrations. In the following years he turned his attention to the production of small "conversation pieces" (i.e., groups in oil of full-length portraits from 12 to 15 in. high). Among his efforts in oil between 1728 and 1732 were The Fountaine Family (c.1730), The Assembly at Wanstead House, The House of Commons examining Bambridge, and several pictures of the chief actors in John Gay's popular The Beggar's Opera. One of his masterpieces of this period is the depiction of an amateur performance of John Dryden's The Indian Emperor, or The Conquest of Mexico (1732?C1735) at the home of John Conduitt, master of the mint, in St George's Street, Hanover Square. Hogarth's other works in the 1730s include A Midnight Modern Conversation (1733), Southwark Fair (1733), The Sleeping Congregation (1736), Before and After (1736), Scholars at a Lecture (1736), The Company of Undertakers (Consultation of Quacks) (1736), The Distrest Poet (1736), The Four Times of the Day (1738), and Strolling Actresses Dressing in a Barn (1738). He may also have printed Burlington Gate (1731), evoked by Alexander Pope's Epistle to Lord Burlington, and defending Lord Chandos, who is therein satirized. This print gave great offence, and was suppressed (some modern authorities, however, no longer attribute this to Hogarth).

 

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William Hogarth Mrs final bet oil painting

Painting ID::  62161

X 
 

William Hogarth
Mrs final bet
mk279 Oil on canvas 91.4 x 105.4cm 1759 years
   
   
     

 

 

William Hogarth Group painting fashionable marriage marriage oil painting

Painting ID::  62162

X 
 

William Hogarth
Group painting fashionable marriage marriage
mk279 Oil on canvas 70 x 90.8cm 1744 years
   
   
     

 

 

William Hogarth Group painting fashionable marriage Breakfast oil painting

Painting ID::  62163

X 
 

William Hogarth
Group painting fashionable marriage Breakfast
mk279 Oil on canvas 70 x 90.8cm 1744 years
   
   
     

 

 

William Hogarth Painting fashionable marriage group s visit to doctor oil painting

Painting ID::  62164

X 
 

William Hogarth
Painting fashionable marriage group s visit to doctor
mk279 Oil on canvas 70 x 90.8cm 1744 years
   
   
     

 

 

William Hogarth Countess painting fashionable group to get up early marriage oil painting

Painting ID::  62165

X 
 

William Hogarth
Countess painting fashionable group to get up early marriage
mk279 Oil on canvas 70 x 90.8cm 1744 years
   
   
     

 

 

William Hogarth Fashionable marriage groups count the death of painting oil painting

Painting ID::  62166

X 
 

William Hogarth
Fashionable marriage groups count the death of painting
mk279 Oil on canvas 70 x 90.8cm 1744 years
   
   
     

 

 

William Hogarth Group painting fashionable marriage of the dead countess oil painting

Painting ID::  62167

X 
 

William Hogarth
Group painting fashionable marriage of the dead countess
mk279 Oil on canvas 70 x 90.8cm 1745 years
   
   
     

 

 

William Hogarth Portrait of the Duchess oil painting

Painting ID::  62168

X 
 

William Hogarth
Portrait of the Duchess
mk279 Oil on canvas 73.7 x 58.4 1740 years
   
   
     

 

 

William Hogarth Mary J Blackwood oil painting

Painting ID::  62169

X 
 

William Hogarth
Mary J Blackwood
mk279 Oil on canvas 1745
   
   
     

 

 

William Hogarth The woman clutching his heart oil painting

Painting ID::  62170

X 
 

William Hogarth
The woman clutching his heart
mk279 Oil on canvas 100.4 x 126.5 1759 years
   
   
     

 

 

William Hogarth Pharaoh's daughter oil painting

Painting ID::  62171

X 
 

William Hogarth
Pharaoh's daughter
mk279 Oil on canvas 172.7 x 208.3cm 1746 years
   
   
     

 

 

William Hogarth March to Finchley oil painting

Painting ID::  62172

X 
 

William Hogarth
March to Finchley
mk279 Oil on canvas 102.5 x 135.7cm 1749-1750 year
   
   
     

 

 

William Hogarth Output of the roast beef of England oil painting

Painting ID::  62173

X 
 

William Hogarth
Output of the roast beef of England
mk279 Oil on canvas 78.8 x 94.5cm 1748 years
   
   
     

 

 

William Hogarth Charles III oil painting

Painting ID::  62174

X 
 

William Hogarth
Charles III
mk279 Oil on canvas 190.5 x 250.8cm 1745 years
   
   
     

 

 

William Hogarth David Garrick as Richard III oil painting

Painting ID::  66460

X 
 

William Hogarth
David Garrick as Richard III
Oil on canvas 1745 190.5cm x 250.8cm
   
   
     

 

 

William Hogarth William Hogarth oil painting

Painting ID::  67581

X 
 

William Hogarth
William Hogarth
Title Deutsch: Porträt der Lady Mary Grey und des Lord George Grey Year 1740(1740) Technique Oil on canvas Dimensions 105,5 X 89,5 cm Current location City Art Museum
   
   
     

 

 

William Hogarth Portrat der Graham Kinder, Detail oil painting

Painting ID::  68451

X 
 

William Hogarth
Portrat der Graham Kinder, Detail
1742
   
   
     

 

 

William Hogarth a house of cards oil painting

Painting ID::  68638

X 
 

William Hogarth
a house of cards
1730, olja på duk 63.5x76.4cm se
   
   
     

 

 

William Hogarth Portat der Lady Mary Grey und des Lord George Grey oil painting

Painting ID::  69911

X 
 

William Hogarth
Portat der Lady Mary Grey und des Lord George Grey
William Hogarth
   
   
     

 

 

William Hogarth David Garrick as Richard III oil painting

Painting ID::  70203

X 
 

William Hogarth
David Garrick as Richard III
Medium Oil on canvas Dimensions 190.5cm x 250.8cm
   
   
     

 

       Prev    1  2  3  4  5  6  7  8  9     Next

 

William Hogarth
British 1697-1764 William Hogarth Galleries Early satirical works included an Emblematical Print on the South Sea Scheme (c.1721), about the disastrous stock market crash of 1720 known as the South Sea Bubble, in which many English people lost a great deal of money. In the bottom left corner, he shows Protestant, Catholic, and Jewish figures gambling, while in the middle there is a huge machine, like a merry-go-round, which people are boarding. At the top is a goat, written below which is "Who'l Ride" and this shows the stupidity of people in following the crowd in buying stock in The South Sea Company, which spent more time issuing stock than anything else. The people are scattered around the picture with a real sense of disorder, which represented the confusion. The progress of the well dressed people towards the ride in the middle shows how foolish some people could be, which is not entirely their own fault. Other early works include The Lottery (1724); The Mystery of Masonry brought to Light by the Gormogons (1724); A Just View of the British Stage (1724); some book illustrations; and the small print, Masquerades and Operas (1724). The latter is a satire on contemporary follies, such as the masquerades of the Swiss impresario John James Heidegger, the popular Italian opera singers, John Rich's pantomimes at Lincoln's Inn Fields, and the exaggerated popularity of Lord Burlington's prot??g??, the architect and painter William Kent. He continued that theme in 1727, with the Large Masquerade Ticket. In 1726 Hogarth prepared twelve large engravings for Samuel Butler's Hudibras. These he himself valued highly, and are among his best book illustrations. In the following years he turned his attention to the production of small "conversation pieces" (i.e., groups in oil of full-length portraits from 12 to 15 in. high). Among his efforts in oil between 1728 and 1732 were The Fountaine Family (c.1730), The Assembly at Wanstead House, The House of Commons examining Bambridge, and several pictures of the chief actors in John Gay's popular The Beggar's Opera. One of his masterpieces of this period is the depiction of an amateur performance of John Dryden's The Indian Emperor, or The Conquest of Mexico (1732?C1735) at the home of John Conduitt, master of the mint, in St George's Street, Hanover Square. Hogarth's other works in the 1730s include A Midnight Modern Conversation (1733), Southwark Fair (1733), The Sleeping Congregation (1736), Before and After (1736), Scholars at a Lecture (1736), The Company of Undertakers (Consultation of Quacks) (1736), The Distrest Poet (1736), The Four Times of the Day (1738), and Strolling Actresses Dressing in a Barn (1738). He may also have printed Burlington Gate (1731), evoked by Alexander Pope's Epistle to Lord Burlington, and defending Lord Chandos, who is therein satirized. This print gave great offence, and was suppressed (some modern authorities, however, no longer attribute this to Hogarth).